Kamis, 31 Agustus 2017

Download PDF , by Fannie Merritt Farmer

Download PDF , by Fannie Merritt Farmer

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, by Fannie Merritt Farmer

, by Fannie Merritt Farmer


, by Fannie Merritt Farmer


Download PDF , by Fannie Merritt Farmer

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, by Fannie Merritt Farmer

Product details

File Size: 50000 KB

Print Length: 624 pages

Publisher: Skyhorse Publishing; 1 edition (February 15, 2012)

Publication Date: November 10, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01LR7TNUW

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Amazon Best Sellers Rank:

#20,282 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Fantastic historical cookbook! This is the original cookbook, not the updated version. I have that one too. I have enjoyed this cookbook for the history of what was eaten in the early 1900's & how things were cooked & using what kind of pans & utensils. This was a teaching cookbook & a lot of tips. But there are a few areas that I hadn't a clue as what it was a about. Fun to read & learn. I have been cooking for 40 yrs & find this a fun interesting book for myself.

I bought two copies for Christmas gifts ... one for a young wife and one for a senior citizen -- both were thrilled. The book has everything from boiling an egg, exchanging ingredients in a recipe, to more elaborate dishes. I only wish the book and the type size were a little larger. The fonts size is small and not easy on the eyes, but this is a great item.

Wanted a book close to the original and this was it. The editions since the 1960's have had a bit of controversy and I wanted a copy that dated earlier.

If you want to know how your grandmother cooked from scratch then this is the book for you!My mother was born in 1906 and she and her sisters all made homemade stock, broth, bread and canned their own vegetables and made preserves and jellies from scratch. This book shows you how to do all of this and much much more.Ever wondered what a Mason (Ball) Jar was for? Then this book will show you what to make and put in them.

What a fun book this is! It is a nice piece of history with many recipes that are useful today. It gives me clues as to many recipes that my grandmother (who was born in 1885) made for us - great comfort food! I can't wait to cook my first bear!

Excellent "old school" cook book. I inherited my original copy from my mother and have been using it ever since. I have replaced it twice. Want to know how to make a simple baked custard? Make great pancakes from breadcrumbs, I could go on but suffice to say, the 7th edition is it. Go no further.

So. Cool . Yes , it helps if you are an experienced cook ....I would not recc. this to a newbie to the kitchen . But if you have some knowledge under your belt this is not only fun to plow through but , with tweaks or not , there are some fascinating bits of American culinary history here that taste great .

I bought this cookbook because it has a recipe for a cake we always had for birthday's when growing up. Not only does it have the recipe I was looking for but it is a fun read as well. If you are a cookbook collector or just love old fashioned, good recipes, this is a good one.

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Selasa, 29 Agustus 2017

Free Ebook The Plotters: A Novel

Free Ebook The Plotters: A Novel

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The Plotters: A Novel

The Plotters: A Novel


The Plotters: A Novel


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The Plotters: A Novel

Review

"Editor's Choice" New York Times Book Review"9 New Books We Recommend This Week" New York Times"The Most Anticipated Crime Books of 2019" CrimeReads“Most Anticipated Books of 2019” Lit Hub"This Winter's Best Thrillers" Chicago Review of Books"Picks of the Week" Publishers Weekly"The Best Books of the Week" New York Post"The Best Reviewed Books of the Week" Book Marks“15 Newly Translated Novels You Need to Read in 2019” Barnes and Noble"The Plotters tells the story of Renseng, a jaded assassin who startles himself by realizing—somewhat belatedly—that he has a moral code, a sense of honor, a soul.  All of these will prove to be perilous liabilities in his world.  Un-Su Kim is a tremendous writer, and he’s crafted a smart, stylish, and surprisingly moving thriller.”Scott Smith, author of A Simple Plan and The Ruins"It would be hard to accuse The Plotters, a raucous extravaganza of assassins and lunatics by the lauded Korean writer Un-Su Kim, of conforming to any template."New York Times Book Review“Intriguing and playfully fun...The Plotters walks in the traditions of the noble detective and the samurai while spinning some new chewy bits probably best not mimicked. By the end, heroism rises out of the carnage to trump the nihilistic capitalism in a rousing climax.” Los Angeles Review of Books“[A] powerhouse of a novel, full of melancholy and gore, philosophy and brutality, dark humor and pathos. It reads as if Haruki Murakami rewrote The Day of the Jackal, or as if David Lynch remade Alain Delon’s Le Samouraï, or as if Park Chan-wook reimagined Suddenly (Frank Sinatra as sniper)...Kim (brilliantly translated from the Korean by Sora Kim-Russell) moves among his engaging, thickly limned characters with the ease and insight of a master psychologist and strategist.”Locus Magazine"The Plotters, rendered in English by Sora Kim-Russell, is an unusual book: a violent action-thriller that could also be a parable, a fable of good and evil stitched together with poignant threads.”Wall Street Journal“[A] gripping portrait of a killer for hire …The Plotters is no primer for a visit to Korea. What it does offer is a vivid portrait of a mesmerizing central character — the stoic Reseng. It will also keep readers delightfully off-balance. In The Plotters Kim has mixed bookishness, crackpots and commissioned murder into a rich and unsettling blend."The Washington Post"Pleasingly deadpan, The Plotters manages to be both humorous (Reseng’s cats are called, delightfully, Desk and Lampshade) and violent, and sometimes even wise."The Guardian“Translated by Sora Kim-Russell, The Plotters is written beautifully, thoughtfully, wandering through Reseng’s thoughts as a visitor observes a new landscape. The story is dark but inviting and feels like new territory, even in the genre of hit men. Un-su Kim takes us on a ride, but a ride with both action and contemplation. Highly recommended.”New York Journal of Books"Dark and clever." New York Post"Unpredictable, often grotesquely funny, piled with corpses and dark as a dungeon...The Plotters is also a compulsive page-turner."Maclean's"The Plotters is deeply funny and, surprisingly, full of heart. There are moments of transcendence and heartbreak mixed in with the knife fights and shootouts, and Kim balances it all beautifully."CriminalElement (dot com)"The winner of prestigious prizes in Korea, Kim makes his anglophone debut, thanks to Kim-Russell, who captures his dark, dark wit and searing sarcasm in an irresistible sociopolitical parable designed to delight and dismay."Booklist (Starred review) “Korean author Kim makes his U.S. debut with a powerful, surreal political thriller…The complex plot, in which Reseng becomes involved with a more polished, CEO-like hit man named Hanja, builds to a highly cinematic and violent denouement. Most memorable, though, is the novel’s message about the insidiousness of unaccountable institutions, from those under the military junta to those that thrive in today’s economy. The consequence of the pervasive corruption is an air of existential despair. This strange, ambitious book will appeal equally to literary fiction readers.” Publishers Weekly (Starred review)"The Plotters hums with menace, humor, heartbreak, and savagery. The killers and schemers haunting its pages range from dens of villainy to desperate scenes of quiet domesticity, offering a view of the world from the depths of its own shadow. The result is wild, weird, and completely engrossing." Jedediah Berry, author of The Manual of Detection   “The Plotters by Un-su Kim is a work of literary genius; a quirky, compelling, intelligent, darkly funny, highly original and thought-provoking thriller like nothing I've read. Gorgeous prose elevates the basest of characters and answers the question: How can ours be a life well-lived if we only do as we’re told? I loved this book!” Karen Dionne, author of The Marsh King’s Daughter"Kill Bill meets Murakami. Twisted and surreal, The Plotters is one of those rare books that will haunt you long after you've finished it. The writing is smooth, unhurried and often profound, even as it draws you deeper into the gruesome underworld of skilled contract killers. Chillingly, the violence is almost exquisite, a bloody art form." D. B. John, author of Star of the North"Imagine a mash-up of Tarantino and Camus set in contemporary Seoul, and you have The Plotters.  Filled with unexpected humor and exquisite fight scenes." Louisa Luna, author of Two Girls Down"The Plotters subverts every trope of the assassin-for-hire novel. Constantly surprising and darkly funny; surreal, intimate and emotional. I loved it." Charles Soule, author of The Oracle Year“Now this is a story with power and style. The one-two punches of humor are a nice bonus. You’ll be laughing out loud every five minutes. You’ll find yourself contemplating the meaning of life, death, and desire for a long, long time. Make sure you leave your evening free, because you won’t be able to put this book down once you start.”You-jeong Jeong, author of The Good Son "The Plotters is what would happen if you took the best South Korean crime cinema and distilled it into words. A smart but lightning fast thriller that keeps the pressure on to the very last page." Brian Evenson, author of Last Days and A Collapse of Horses“A book of revelations for murder both violent yet graceful, dark yet poetic. With sharp humor and sparkling prose, Un-su Kim stylishly spins the tale of the extraordinary life of an ordinary assassin.” J.M. Lee, author of The Investigation"In a terrifying, not unimaginable dystopian Seoul, guilds, plotters and assassins jostle for supremacy...Violent, clever and funny, I loved it!" M. W. Craven, author of The Puppet Show"The Plotters is a surreal story, replete with interior monologue, time shifts, and impossibilities. Part old-school spy thriller, part soul-searching journey, part history lesson, part political education. A novel that makes the reader think without leading, allows you to draw your own conclusions while helping you see all the possible angles, is subtle without being esoteric, The Plotters is well worth the read. And quite frankly, we can all benefit from books in translation, now more than ever."TheRoarBots (dot com)

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About the Author

UN-SU KIM was born in 1972 in Busan and is the author of several highly praised novels. He has won the Munhakdongne Novel Prize, Korea's most prestigious literary prize, and was nominated for the 2016 Grand Prix de Littérature Policière. The translator, Sora Kim-Russell, is a Korean American living in Seoul, where she teaches translation.

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Product details

Hardcover: 304 pages

Publisher: Doubleday; Translation edition (January 29, 2019)

Language: English

ISBN-10: 0385544383

ISBN-13: 978-0385544382

Product Dimensions:

6.4 x 1.2 x 9.5 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#39,837 in Books (See Top 100 in Books)

Brief summary and review, no spoilers.In briefest summary, the story setting is Korea and the book’s main protagonist is a young man named Reseng. Reseng’s past is vague and unknown because as was an orphan and doesn’t know his parentage. When he was very young he was taken in by a man known as The Old Raccoon. The Old Raccoon ostensibly runs an old library which is really the headquarters of a nepharious organization known as The Library.Reseng is a plotter -they are trained and skilled killers that commit assassinations. It’s all quite mysterious; often the plotters themselves don’t know the reasons why they kill nor do they care. There’s an almost mystical feel to this part of the book; it’s all shrouded in such mystery.The story is told from Reseng’s point of view as we follow him around, both in the present and then back in time to some of his memories of his limited life apart from The Library. And with that, I want to end the summary because you should read the plot points as the author intended because there are some wonderful twists and surprises along the way.This book could’ve gone wrong for so many reasons. It’s quirky to say the least. It’s a thriller, a mystery, but so, so much more.What makes this book sing is the writing - it’s just brilliant. This is an author who really has the writing chops and it shows on almost every page. Just an example, and first understand that part of our likeability of Reseng is his having taught himself to read as a young boy practically raising himself in The Library. An example of the writing that so entranced me (and a reference to Reseng’s favorite character, Achilles):“Reseng wept in the dark. On every page of the sea of library books that he was either itching to read or would eventually get bored enough to read, heroes and beautiful, charming women, countless people struggling to overcome hardship and frustration and achieve their goals, all died at the arrows of idiots because they failed to protect their one tiny weakness. Reseng was shocked at how treacherous life was. it didn’t matter how high you rose, how invincible your body was, or how firmly you clung to greatness, because of it it would vanish with a tiny split-second mistake.”I loved this book. What I didn’t mention is that it is also laugh-out-loud-funny in places. It’s just the complete deal and I am definitely looking forward to reading more books by this author.Lastly, I never give away endings but want to say I give the ending to this a big thumb’s up. And that’s always the cherry on top for me.

OK. I'll admit that the book is beautifully written, but I don't know, maybe it is a cultural thing, but I found the plot to be uninteresting and hard to follow. I couldn't identify with the main character or any of the others. I was glad when I finished it. Maybe "quirky" isn't my forte'. If it is yours, you may enjoy the book.

Interesting topic. Translation smooth. Sad saga of hopelessness.

The author of this surreal, expertly crafted tale is the Korean Kurt Vonnegut. Enter a world in which the most ignorant and uncurious survive, one in which “Reading books will doom you to a life of fear and shame.” My thanks go to Doubleday and Net Galley for the advance review copy, which I received free in exchange for this honest review. This novel will be available in the U.S. February 12, 2019.Our protagonist is Reseng. Orphaned at a young age, he grew up in Old Raccoon’s library. He is an assassin. Killing others for hire has grown into a huge industry, and the story begins with Reseng watching an old man through a scope. He has a job to do.Readers are forewarned that this story is not for the squeamish, and I almost abandoned it, because although I like dark humor, this is triple-dark. I set it aside fairly early, unsure whether I was coming back or not, but despite its brutality, it drew me back, and I am glad I returned to it.Bear is Reseng’s friend, and he runs the pet crematorium. That’s what it’s called, because the murder industry is still officially illegal; it wouldn’t do to announce his business as the place to dispose of a freshly assassinated human victim. Not yet anyway; the way things are going, this may change. Reseng is there on business, though, because the old man he just killed has to be processed. And as he and Bear converse on the state of the profession—so many immigrants are coming to South Korea and taking these jobs; Chinese, North Koreans that sneak over, Vietnamese. They’ll work cheap, and it makes it harder for guys like Reseng to get what the jobs are worth. And then there’s outsourcing. Assassins are hired by plotters, but Reseng reflects that “Plotters are just pawns like us. A request comes in, and they draw up the plans. There’s someone above them that tells them what to do. And above that person is another plotter…You know what’s there if you keep going all the way to the top? Nothing. Just an empty chair.” Reseng’s greatest concern is Old Raccoon, Reseng’s aging mentor who is being edged out by unseen forces. Old Raccoon isn’t an assassin, but he has kept himself out of the crosshairs by permitting his library to be used as a meeting point between shady individuals looking to make deals. That’s worked for him pretty well, until recently. Old Raccoon is all the family Reseng has, and so out of concern, he begins asking questions. It’s a reckless thing to do, and he knows it.Before long, Reseng’s life turns into a hall of mirrors, and it’s hard to know who to believe, because he can’t trust anyone. Where does Hanja, who was also mentored by Old Raccoon, fit in? What about the cross-eyed librarian? Is she on the up and up, and if so, where did she go? Is The Barber involved here? His queries take him to visit Hanja, who is now wealthy and influential, a giant among giants in the industry, and his offices take up three whole floors in a high-rise building:“As if it wasn’t ironic enough that the country’s top assassination provider was brazenly running his business in a building owned by an international insurance company; the same assassination provider was also simultaneously managing a bodyguard firm and a security firm. But just as a vaccine company facing bankruptcy will ultimately survive not by making the world’s greatest vaccine but, rather, the world’s worst virus, so, too, did bodyguard and security firms need the world’s most evil terrorists to prosper, not the greatest security experts. That was capitalism. Hanja understood how the world could curl around and bite its own tail like the uroboros serpent…There was no better business model than owning both the virus and vaccine…A business like that would never go under.”The struggle unfolds in ways that are impossible to predict, and what kind of fool would even attempt to make sense of it? When challenged, Hanja tries to warn Reseng that when an anaconda tries to swallow an alligator, it instead dies of a ruptured stomach, but Reseng will not be stopped. His journey builds to a riotous crescendo, and there’s a point past which it’s impossible not to read till the thing is done.It’s a scathing tale of alienation told by a master storyteller, and the ending is brilliant as well. There’s nobody else writing anything like this today. Highly recommended.

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Senin, 28 Agustus 2017

Free Download Three Poems (Faber Poetry), by Hannah Sullivan

Free Download Three Poems (Faber Poetry), by Hannah Sullivan

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Three Poems (Faber Poetry), by Hannah Sullivan

Three Poems (Faber Poetry), by Hannah Sullivan


Three Poems (Faber Poetry), by Hannah Sullivan


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Three Poems (Faber Poetry), by Hannah Sullivan

About the Author

Hannah Sullivan lives in London with her husband and two sons and is an Associate Professor of English at New College, Oxford. She received her PhD from Harvard in 2008 and taught in California for four years. Her study of modernist writing, The Work of Revision, was published in 2013 and awarded the Rose Mary Crawshay Prize by the British Academy.

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Product details

Series: Faber Poetry

Paperback: 80 pages

Publisher: Faber & Faber; Main edition (September 15, 2018)

Language: English

ISBN-10: 9780571337675

ISBN-13: 978-0571337675

ASIN: 0571337678

Product Dimensions:

6.2 x 0.5 x 8.2 inches

Shipping Weight: 4.6 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#126,516 in Books (See Top 100 in Books)

"You are listening to Bowie in bed, thinking about the hollowsOf his eyes, his lunatic little hand jigs, longing for Berlin in the seventies.You are thinking of masturbating but the vibrator’s batteries are lowAnd the plasticine-pink stick rotates leisurely in your palm,Casting its space-age glow into the winter shadows."This collection of three poems is simple, and seems to be speaking to persons who are active in the 2010s. At the worst of times, the book seems to try and say "Love me!", as with this:"You are slightly disappointed in Obama’s domestic policy,You think the great American novelist is David Foster Wallace.The epigraph to The Pale King is from Frank Bidart,It is about pre-existing forms and formal questions in art.And as you are dancing in a suit skirt to the Killers’ ‘Mr Brightside’,Feeling the anthem soar and rise, he makes the PowerPoint slides"I can't help but feel that this book lacks details which speaks to or with, rather than at me.

The T.S. Eliot Prize for Poetry is an annual award given to the best new poetry collection in the United Kingdom or Ireland. It’s been called the poetry prize that British poets most want to win. The prestige associated with the prize is large; so is the prize money, some 25,000 pounds, or about $32,500 at current exchange rates.The 2018 prize winner was “Three Poems” by British poet, writer, and professor Hannah Sullivan. The collection is indeed three poems: “You, Very Young in New York;” “Repeat Until Time;” and “The Sandpit After Rain.” These aren’t three poems that go on and on for pages; they have breaks, and even numbered subheads like “2.3” and “Hospital Windowsills.” Thematically, however, the collection is three poems.“You, Very Young in New York” is set in that city, and it tells the story of a young woman on her own for the first time, living and working, partying and getting drunk occasionally, loving and experiencing the sights, the sounds, and the smells of the city. “Repeat Until Time” is about going even farther from home, this time to California, and discovering an environment and culture marked primarily by repetition. “The Sandpit After Rain” fuses the death of a father with the birth of a son, an ending and beginning and how alike they are.Sullivan uses language that is clear, sharp, and largely devoid of ambiguity. Whether she is describing a bakery at Broadway and 28th, a strip mall in California, or the beginnings of labor in childbirth, Sullivan employees a keen, practiced eye.This extract is from the second poem, “Repeat Until Time.”7 p.m.: commuting home: arrest.Trader Joe’s, the Daly City multiplex.Repetition’s sense of comedyUnsheathed as architectural poverty:Beige curves on Taco Bells,And fog, the old dry ice machine.Three sooty wraithsFade on the bridge like figures on a vase,Faded already in an eighteenth-century house –Stooped, waterthinnedChinoiserieSome kind from Stanford GSBEnters the 101 the wrong way round.He kills two Puerto Rican passengersAnd the taxi driver.DUI. The Dean writes: ‘Our communityCan only get strongerFrom this manifest tragedy.’An Audi TT in the next lane gets rammed:The driver pops a nicotine gum,Even though he is already chewing one:Sweet watermelon shell in gum stings.His wife goes through to voicemail.Parked up, his face mashes into the wheel.It is July and the fog fallsLike a solid,Like raisins in soda at elBulli.The world tastes of molecules,Palpitates in ozone.Sullivan calls “Repeat Until Time” the “Heraclitus poem.” He was a Greek philosopher who lived in Ephesus about 500 B.C. He’s credited with the saying that “no one steps into the same river twice.” Sullivan applies that idea to her understanding of and experiences in California, a state that is, perhaps, never the same place twice.She has solid American connections. She received her Ph.D. degree from Harvard in 2008 and taught in California for several years. She is the author of “The Work of Revision,” a study of modernist writing published in 2013. She is an associate professor of English at New College, Oxford, and lives with her family in London. “Three Poems” is her first poetry collection.Sullivan faced some stiff competition for the prize. Several works were shortlisted, including one by Sean O’Brien, who has previously won both the T.S. Eliot Prize and the Forward Prize. But “Three Poems” is a worthy recipient by a new voice in poetry.

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Senin, 07 Agustus 2017

PDF Ebook Friends of God and Prophets: A Feminist Theological Reading of the Communion of Saints

PDF Ebook Friends of God and Prophets: A Feminist Theological Reading of the Communion of Saints

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Friends of God and Prophets: A Feminist Theological Reading of the Communion of Saints

Friends of God and Prophets: A Feminist Theological Reading of the Communion of Saints


Friends of God and Prophets: A Feminist Theological Reading of the Communion of Saints


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Friends of God and Prophets: A Feminist Theological Reading of the Communion of Saints

How can we develop "habits of the heart" cherish community and nourish the struggle for justice? One way is by practicing the communion of saints. However, not only has devotion to the saints suffered an extraordinary decline wherever Western secular culture has gained a foothold, but, surprisingly, the communion of saints is one of the least developed symbols in all theology. This dearth of a well-developed, integrated approach in theology contrasts with the lively interest in saints in other disciplines such as social history and psychology.In Friends of God and Prophets, Elizabeth Johnson provides such a theology of the communion of saints, utilizing, ironically, women's practices of memory -- "ironically" because the official list of saints is largely dominated by men, and "women's history of holiness has been neither remembered nor truthfully told". In the first part of the book, Johnson dialogues with history, gleaning clues from the past for an understanding of the communion of saints that is both faithful to tradition and promising of liberation. In the second, she.offers a systematic interpretation of the symbol, connecting insights from history with insights arising from women's practices today, linking both with radical hope in God. In this way, the communion of saints can become a practical doctrine for the entire church: a source of strength in the work to create a transformed society of mutuality and compassionate respect, both among human beings and between human beings and the Earth.

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Product details

Hardcover: 306 pages

Publisher: Continuum Intl Pub Group (June 1, 1998)

Language: English

ISBN-10: 0826410782

ISBN-13: 978-0826410788

Product Dimensions:

6.5 x 1.2 x 9.5 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#761,145 in Books (See Top 100 in Books)

If you are a person into change, into contemplating your own place in the world, into deepening your personal spiritual connection to all that is, and especially to G-d, you will love this book. Yes, it deals with feminist theology, yes, 'Sr. Beth' is an excellent, careful, and clear writer -- these are obvious with a cursory glance. We all fit together, somehow, in this world of G-d's, and hardly a paragraph goes by where the reader is not encouraged to feel & believe in both the connection & the process. This work is a synthesis of very much, a disparager of very little, an emblem of hope & belief... a way... for how we are all part of the communion of saints, keepers of Wisdom, able ourselves to -be- 'friends of God, and prophets' -- and ultimately able to believe in and offer support to each other. It is simply one of the best books I have ever read.This is not to say it's an easy read -- it is not. It is FULL of stuff, no wasted words. But, if you are a seeker of the Holy Spirit, you will be encouraged & nurtured -- and maybe, challenged.

Elizabeth Johnson is one of the best known theologians in the US, and this book demonstrates the depth of her thinking on a topic that has received very little attention. She is skilled in linking past centuries of thinking about the communion of saints, death and the afterlife with critical questions that postmoderns are likely to ask. I will be using her book with a study group. We have used several of her books previously with great success.

This is a good read. It makes you think. She has a lot of good points. In general I am not thrilled about every argument she makes, but I always get something out of what she is saying.

I bought this book at the recommendation of a friend. I was eager to get it because I have read almost every book that Elizabeth Johnson has written, so I knew it would be good. I was not disappointed.

This author is great. I'm still reading this book, and will continue - there's a lot to think about here.

Dr. Johnson presents does two things rather well in this book: first, she provides an overview of the history of what it means to be a saint within the Christianity, though focusing mostly on the Roman Catholic Church; second, she also discusses why the idea of saints as those who have already dies are an important part of one’s faith story. My interest in the first part ebbed and flowed as this part was focused on issues within Catholicism. It was interesting but not relevant; though I would say for those, who are members of Roman Catholicism their interest might be greater. The second part however, was much more fruitful for me as it examined the relevance of the Communion of saints for all Christians. This does not mean that I would have skipped the first part as I feel that this first part set up the second part.

Johnson does an outstanding job presenting a commonly overlooked aspect of our faith as a Christian community. A personal interest of mine, The Communion of Saints is a subject that I have done significant research on. I believe that Johnson brings this essential element of the Apostles Creed into the Twenty-First Century in a wonderfully illuminating way.As I mentioned in a recent lecture I gave on the Communion of Saints, while Johnson's subheading "A Feminist Theological Reading of The Communion of Saints" may seem frightening and off-putting to some who associate the term "Feminist" with the early women's social-political movements of the 60s and 70s, one should not fear.Johnson, arguably the leading North American Feminist Theologian, moves the reader through the history of the Communion of Saints into a paradigm for the post-modern age that leaves the so-called "first-wave feminism" in the dust to elucidate the meaning of living and praying as part of a community that extends far beyond our immediate world.The call to "radical inclusiveness" is a theme that is presented in manner that applies a tenet of Apostolic tradition to the modern (and not-so-modern) call to social action. This book presents the history of the Communion of Saints and then answers the question: "So What?"While some of the book is heavy with theological subjects, I still recommend this book to anyone who is looking to grow in their understanding of The Communion of Saints, our relationship within that community and/or the state of inclusive theology today.This is a book for the person with a terminal degree and for the person without. It is an excellent work!

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Sabtu, 05 Agustus 2017

Free PDF , by Peter Reinhart

Free PDF , by Peter Reinhart

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, by Peter Reinhart

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File Size: 168921 KB

Print Length: 338 pages

Page Numbers Source ISBN: 1607748657

Publisher: Ten Speed Press; Anniversary edition (September 6, 2016)

Publication Date: September 6, 2016

Sold by: Random House LLC

Language: English

ASIN: B019B6XJQK

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#112,032 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Do you love bread? Do you have questions about all the things that can go wrong during making bread from scratch? Do you not have time to do incremental changes to a recipe because you a) have no one to eat all that bread and b) just don't want to? If you answered yes to these, you may just be like me. Wanting to make a successful loaf of bread, but not wanting to spend months perfecting it! Go out and get "The Bread Baker's Apprentice". This book is absolutely incredible.So a small caveat, I love the science behind cooking. Alton Brown's shows hit that spot about why food and flavor does what it does. This book goes into that in great detail. There is some intense science/chemistry, but Peter Reinhart does a good job of throwing anecdotes and breaking down information for everyone to understand. The first 100 pages cover all the questions about bread. How it is made, why it is dense at times or fluffy, what your dough should look like, be shaped, be handled, low long to ferment your yeast, why you should, etc, etc, etc. A treasure trove of information.Then we get to the recipes. These are delicate in their simplicity. If you read even part of the first 100 pages (which you should totally do), the recipes make sense, the "bread ratio" is demystified, and each ingredient makes sense. I can't wait to buy all bakers I know this book for Christmas because it answers all the questions I've asked proficient bread makers for years, only to get an unsatisfying answer. Not because of the bread maker's inability, but because the sense of touch, of sound, of barely tangible qualities are hard to explain in absolutes. If you have been interested in bread, in any aspect of the making, the baking, the rich history behind it, this book is an incredible read. Even if you don't ever pick up a bag of flour!I received this book from Blogging for Books for this review.

I was gifted the first edition back in 2006. This book lays a solid foundation for bread making. There's a nice variety to the repertoire of bread offerings, and the book is appropriate for both beginners as well as more advanced bakers. This review constitutes my impressions of the how the new edition has been changed from its original edition.I had the opportunity to bake the original challah recipe immediately followed by the new & improved 15th anniversary updated recipe. In comparing them directly, I found that there were two significant improvements to the new edition. The original recipe called for water in the range of 7-9 ounces, and I ended up having to make adjustments to the dough from having guessed wrong. The new recipe called for 7 ounces exactly, and the dough was perfect from the very start--like a gymnast sticking the landing to their routine. I loved working with the new recipe's dough. After baking, I found that the original recipe yielded a nice dark golden brown crust, while the improved recipe was a beautiful deep mahogany tone more consistent with professionally made challah loaves that I have seen elsewhere. To me, this was a convincing start in appreciating these updated recipes, and I felt like a rainbow just appeared over my oven!One of the weakest parts of the original edition was the sourdough method. The original procedure for creating a seed culture [the initial step] worked for me in a pass/fail sense, although I ended up needing one extra day to get the seed culture to double [working at about 70 degrees, which was right in the middle of his recommended temperature range (65F-75F)]. Reinhart has updated his method for this book, and it now includes an adaptation of the pineapple juice solution from his book “Whole-Grain Breads.” This is a positive step for the 15th anniversary edition. In comparison, I found the new procedure easier to use, and I had a working seed culture in a little under five days at about 69 degrees room temperature--which was one day earlier than my previous experience. I have been able to satisfactorily make Reinhart’s Basic Sourdough Bread and Poilane-Style Miche recipes without using any commercial yeast. Please see pictures below.Since the original edition of this book, Reinhart has always taught two baker’s percentage methods, but it would seem that he originally had a preference for the method which expressed the pre-ferment as an ingredient. I was never very fond of this method myself, and I always ended up converting his figures into the other method. I am happy to say that Reinhart has edited the 15th anniversary edition to include both methods simultaneously. So, the book has been lengthened somewhat, and this represents a nice commitment on the part of Ten Speed Press, a publisher that I regard highly. As an added bonus, the book now includes metric measurements, in addition to ounces and measuring cups/tablespoons.There were over one hundred recipe testers involved in the first edition, and this is not something that should be taken for granted. I’ve had very good success baking from this book. Bake times and temperatures have worked pretty well on the first try. In my extended family, I have seen that there is a great difference in home ovens. Reinhart writes, “No two ovens bake the same, so all baking times are approximate and based on conventional radiant-heat ovens (p. 38).” When I have rented a vacation home, I have enjoyed bringing this book along with me because Reinhart’s bake temperatures and times do well in an oven that I am not very familiar with. I believe the good results that I have experienced with this book have been a result of the extensive recipe testing.In the original edition of this book, Reinhart teaches the double-steaming method—but he does have a prominent note about La Cloche, noting that “these are fun to use and do a great job of trapping moisture for a big oven spring and shine (p. 94).” I think there are a good many home bakers, including myself, who have come to the conclusion that La Cloche bakers (along with Dutch Ovens and inverted hotel pans on a baking stone) do a much superior job of trapping steam than any other techniques, including Reinhart’s method. Unless I’m missing something, it would appear that the note about baking cloches has been removed in the 15th anniversary edition. That’s unfortunate, because Reinhart influenced me to purchase a cloche--and I have never regretted it.The book now includes a section on desired dough temperature calculations. Reinhart writes, “Although most of the instructions in this book provide the temperature for the liquid, feel free to calculate it yourself using this formula and adjust the liquid temperature as needed based on your temperature conditions and the mixing method you are using (p. 53).” Reinhart’s temperatures have worked well for me, so I don’t know how necessary this new information will be, but many other books include similar formulas.There are three new formulas in this 15th anniversary edition: Sprouted Wheat and Brown Rice Bread (p. 291), Sprouted Whole Wheat Onion and Poppy Seed Bialys (p. 294), and Beyond Ultimate Cinnamon and Sticky Buns (p. 297). The Sprouted Wheat and Brown Rice Bread was very easy to make, and it turned out well technically--but the flavor wasn't so compelling that I'd want to make it a second time, especially given that it requires special flour. Reinhart has a note that the Bialys can be made from bagel dough instead of the sprouted whole wheat flour, and that is the definite preference in our house. I will certainly make that recipe again, but only using the bagel dough. The Cinnamon Buns were well received at a holiday party that I took them to. I don't think that these three recipes in and of themselves would be enough justification for someone with the first edition to purchase the book anew. However, 15 years have passed where the author got feedback on the original edition, and he definitely addressed some of the criticisms, such as the use of shortening. There are a few formula changes, but sometimes the differences in the recipes may come down to an improvement in the handling of the dough. I treasure baking enough of these recipes that having the latest edition of the recipes is worth it to me.My enthusiasm level for this book is very high. Nevertheless, my experience has had some disappointments along the way. My first attempt at his Bagel recipe (p. 121) turned out so excellent that I decided bake his Cinnamon Raisin Bagel variation ( p. 127) two days later. Unfortunately, it turned out unsatisfactory. The first edition only specified 1 tablespoon of cinnamon, but the 15th anniversary edition was edited to also include the weight in both ounces and grams. There's an assumption with this book that weights are more accurate and should be used whenever possible, as opposed to measuring cups and tablespoons. So, I used the 14g weight specified in the 15th anniversary edition and later found it to be way too much. Afterwards, I went back and measured out a tablespoon of cinnamon, only to find that it weighed only 4.7g. That's very close to a 3X difference. In her book, "BakeWise" (p. 497), Shirley Corriher lists a teaspoon of ground cinnamon as weighing 2 g, thus implying a tablespoon weighs 6g. Rose Levy Beranbaum lists one tablespoon of cinnamon as weighing 6.5g on p. 572 of "The Bread Bible." Regardless of whether you accept Corriher, Beranbaum, or my weight measurement figures, the 14g/tablespoon from this recipe is way too high for this recipe. Given that cinnamon in relatively larger percentages retards yeast activity, the result is a compromised recipe. By using a tablespoon to measure the cinnamon--instead of using the weights--I've successfully made the Cinnamon Raisin Bagels, and my wife is quite fond of this recipe.One of my few disappointments from the first edition was the Swedish Rye (Limpa) recipe. I felt that it was too aggressively spiced with ground aniseed, fennel and cardamom for my tastes. I always had it in the back of my mind to try it again by reducing the spices in half as a new starting point. In the first edition, these three spices are listed as requiring one teaspoon weighing 0.11 ounce each. In the 15th anniversary edition (p. 274), the ground aniseed is still listed as one teaspoon but the weight has changed to three times as much from the first edition! In other words, someone has made a typing mistake in preparing weight of the aniseed in the new edition. So, the conclusion of what I'm trying to tell you is that this book is not infallible. It's in your best interest to have your calculator on hand to help verify the formulas before you start. I haven't found a lot of mistakes with this book, but it has been necessary to talk about a few of its problems in order to present a convincing argument that you should double-check figures before you start. I do believe that the book is generally of a very high standard, although it is not perfect.In conclusion, this has been a valued book in my collection, yielding many beloved recipes. It has also been influential of other authors. For these reasons, I consider the book to be a classic text, and I am grateful to have this 15th anniversary edition in my collection.Pictures: I have uploaded eight pictures, although they have not always displayed properly due to technical difficulties: Celebration Challah Loaf (p. 140); Knotted Roll made from White Bread, variation #2 (p. 286); Hot Dog Buns made from White Bread, variation #2 (p. 286); Cinnamon Raisin Walnut Bread with a cinnamon swirl and cinnamon sugar crust pan loaf (p. 154); pan loaf of Vienna Bread with special Dutch Crunch / Mottled topping (p. 280); the picture with the three slices are from left to right: 100% naturally-leavened Pain au Levain with raisins (a variation of Basic Sourdough Bread, p. 246), Whole-Wheat Bread (p. 288), and 100% naturally-leavened Poilane-Style Miche (p. 256); a slice of Marbled Rye Bread (p. 191); and a Bagel (p. 121) next to a Bialys (p. 294).

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